Hemingway in Nature Essay Example for Free

Hemingway in Nature Essay The great respect Ernest Hemingway has for nature is manifested as an important character in his works. Although Hemingway cut down his prose to the minimum necessary to convey the action of his characters, he carefully advanced the theme of nature. Hemingway describes trees, leaves and needles, water, rain and bodies of water, rocks, wind and breezes and animals as part of the theme of nature. In so deliberately including the nature theme in his work, Hemingway elevates it as more than a part of the setting of the action to a point that nature plays a role or a character in the action. Hemingway expresses important concepts and ideas in his writing in a deliberate manner. Within the structure of his sentences and paragraphs, he shapes the concept he is emphasizing by repeating it and using description to highlight it: He lay on the brown, pine-needled floor of the forest, his chin on his folded arms, and high overhead the wind blew in the tops of the pine trees. (Hemingway 1)  Here, the concept of a pine tree is emphasized through its placement both at the beginning and the end of a single, short sentence and the fruit of the tree, the needles, are emphasized to a greater degree by description as the brown, pine-needled floor. Hemingway makes clear that pine tree is thought of both as a living evergreen tree, i.e., green in color, as well as a tree that sheds its needles to create a brown blanket of cover on the floor of the forest. Also, the pine trees are not simple and unmoving objects. The pine trees have acted to cover the floor with needles, and they sway, having been blown by the wind. The character then is not alone in a woods, but rather he is among the pine trees who are moving and acting in the scene as the character does. Hemingway takes the emphasizing to a whole another literal level as he characterizes the interaction between the rain drops and rain and the tree and branches: â€Å"The trees were dripping in the rain. It was cold and the drops hung to the branches.† (Hemingway 1) Repetition is an obvious means by which Hemingway adds impact to the role that nature plays in his work: He was sorry for the birds, especially the small delicate dark terns that were always flying and looking and almost never finding, and he thought, the birds have a harder life than we do except for the robber birds and the heavy strong ones. (Hemingway 29) Hemingway does not simply state the characters idea that he feels sorry for a bird. Instead in this excerpt, Hemingway repeats birds, the type of birds, and the action of the birds over and over: birds, terns, flying, birds, robber birds and heavy strong ones. In this way, Hemingway adds focus to what the character is saying, he feels sorrow toward a particular type of bird, a vulnerable or delicate one, one with a harder life. Even beyond this, Hemingway implies that certain other birds are not worthy of sorrow; the robber birds who are heavy and strong are worthy of contempt. Through the repetition of the word bird or the bird-like descriptions, Hemingway expands his characters feelings and provides greater depth to what is stated. In this way, what is stated is given greater meaning, and the character also is given greater depth. Hemingway could state things in single manner, and in that one manner only. However, his writing style is to repeat an important theme. In this way, there is a certain point to be proven and he makes it clear by underscoring it by repetition. In the excerpt below, Hemingway addresses a snowstorm: In a snowstorm it always seemed, for a time, as if there were no enemies. In a snowstorm the wind would blow a gale; but it blew a white cleanness and the air was full of a driving whiteness and all things were changed and when the wind stopped there would be the stillness. This was a big storm and he might as well enjoy it. It was ruining everything, but you might as well enjoy it. (Hemingway 71) Here, the snowstorm, and other words such as â€Å"blow†, â€Å"blew†, â€Å"gale†, â€Å"cleanness†, â€Å"whiteness†, â€Å"stillness†, and again, â€Å"storm† all are variations on the meaning of what a snowstorm is and what it represents. It leaves a mental picture almost palpable, with the feel, the look and the sound of this aspect of nature. In addition to sentence placement, rich description and repetition, Hemingway personifies nature by giving to it human characteristics. In the following except, the rain is given a personality:  It turned cold that night and the next day it was raining. Coming home from Ospedale Maggiore it rained very hard and I was wet when I came in. Up in my room, the rain was coming down heavily outside on the balcony, and wind blew it against the glass doors. (Hemingway 142) In the three sentences above, Hemingway restates three times that it is raining and then finally emphasizes that the rain is blowing against the glass doors. The rain is shown to be insistent. The rain is not satisfied only to make the character wet while he is outside in the rain, but also the rain tries to barge into the characters room by blowing against the doors. In this way, Hemingway is not content to describe that it is raining, or even that it is raining hard. Instead, he uses imagery of a person prying against a door like a robber to convey that the rain has a purpose or a goal to achieve. Hemingway takes something as simple as the movement of a weed and beautifully plays it up to be something so much more: Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket. (Hemingway 72) Personifying nature is giving it qualities of humans or portraying an aspect of nature to be doing an action that humans tend to do, Hemingway includes this aspect of writing in many of his works. In the above passage, Hemingway manifests the weeds â€Å"making love† in a certain movement. Nature is beautiful and was one of Hemingway’s great loves, yet he was not to sugar coat things. When something was mediocre, he brought it into the light: It stormed all that day. The wind drove down the rain and everywhere there was standing water and mud. The plaster of the broken houses was gray and wet. (Hemingway 174) Just as humans have both good and bad qualities, Hemingway illustrates that nature can mimic just the same. It would be a very great fate to find a paragraph of Hemingway’s that has nothing to do with nature. He carefully articulates each sentence and it has vast meaning. There may be question as to why he includes some; â€Å"‘Fish, he said, ‘I love you and respect you very much. But I will kill you dead before this day ends.’† (Hemingway 54). A man is speaking to a fish, he is well aware that the fish will not respond, but it’s the meaning of taking the time to include him telling the fish that he will have to kill him, assumedly for food. Hemingway addresses nature so as to emphasize its importance to his works. Nature is not simply a part of the setting of scenes by Hemingway in his works. Various depictions of nature are written in a manner that create a tension between nature and the characters. The fact that Hemingway is so careful to emphasize nature in his writing style cannot be viewed as accidental or sentimental. Hemingways work as a whole is remarkable for the reason that it is so precise and cut down to a bare minimum: A.J. Verdelle, what do you think {Hemingways] most positive legacy for American writing has been? A.J. Verdelle: Well, actually, I think that Hemingway changed American writing. I think that he lived in a time at the edge of the florid 19th century, long writing. And he made it spare. He made it new. He made it vigorous. He made it fresh. And I appreciate him a great deal for that. (Verdelle Web.) For his writing which is otherwise spare, Hemingway devotes much energy to making the appearances of nature in his work memorable and active.  Some may wonder why Hemingway chooses to write in such a spare manner, yet not one bit bland: Its really up to you how much you want to read into the pine needles. Regardless of whether they have any larger meaning, Hemingways use of the same image at the beginning and end of the book – not just pine needles, but Robert Jordan lying on them – gives the novel nice  bookends, and a nifty little sense of  circularity†¦ Reading a little more into it, its likely that the pine needles on the ground are meant to be the singular image for the land of Spain itself, for Spanish earth, which Robert Jordan loves. (Siminoff Web) Mr. Siminoff proves an excellent point about the pine needles, however, there are pine needles in France, Michigan, and Austria all places that Hemingway was familiar with and set other stories. So, isn’t the larger point about pine needles that Hemingway connects the action of his characters to nature? The immediacy or vividness of nature in Hemingways work comes from the precise and planned way in which Hemingway writes, giving great meaning in a condensed form to that which he places in a scene: Physical nature is nowhere rendered with greater vividness than in his work†¦The meadows, forests, lakes, and trout streams of America, and the arid, sculpturesque mountains of Spain, appear with astonishing immediacy, an immediacy not dependent upon  descriptive flourishes. (Bloom Web). Bloom studied many great American authors, thus making his knowledge of literature is pronounced. Hemingway wrote solely about the things that he knew, nature depriving itself from all the places he ever went or travelled. The accounts of criticism on the unique writing style of Hemingway are vast and numerous. One common thread between them all is that Hemingway put himself into each piece of literature that he wrote, each reflecting his life in a way: It seems fair to say that Hemingway never really understood himself. His well-publicized front of bravado and he-man feats masked a nature that was somehow empty. What comes through in the huge volume of letters edited by Carlos Baker is the portrait of a man utterly deluded about the extent and sources of his pain, a malicious bully whose exploits served to fill up a life in which something love, empathy, genuine  interest in others was missing. (Atlas Web). While harshly critical of Hemingway, there is a point to be made. They say it is best to write about the things you know, Hemingway did just this. Atlas believed his writing became mainstream and lost its freshness. He argued that Hemingway was missing something from his writing. However, this is only one account. Ernest Hemingway was a man among men. He was the true embodiment of a â€Å"jack of all trades.† All the nature, hunting, fishing, and war tales that he wrote were a part of him. These things were his life and all that he knew. Nature is evidentially manifested in Hemingway’s works through sentences placement, the repetition of a single element in nature, rich description, and by being given human characteristics parts of nature. Upon reading Hemingway novel or short story, immediately bound to a vivid perspective of nature the reader is and that is a true gift. Works Cited: Atlas, James. â€Å"Papa Lives† The Atlantic.com Atlantic Monthly Group. 31 Mar. 2011. Web. 31 Mar. 2011 Bloom, Harold. Blooms How to Write about Ernest Hemingway. New York: Infobase, 2009. Print. Bloom, Harold, ed. Bloom on Ernest Hemingway. Ernest Hemingway, Blooms Major Short Story Writers. Philadelphia: Chelsea House Publishing, 1999. Blooms Literary Reference Online. Facts On File, Inc. http://www.fofweb.com/activelink2.asp?ItemID=WE54SID=5iPin= BMSSEH01SingleRecord=True (accessed February 3, 2011). Hemingway, Ernest. Farewell to Arms. New York: Scribner Paperback Fiction, 1929. Print. Hemingway, Ernest. The Old Man and the Sea. New York: Charles Scribners Sons, 1952. Print. Hemingway, Ernest. Up in Michigan. The Short Stories. New York: Scribner Paperback Fiction, 1953. 81-87. Print  Reflections on Hemingway. Pbs.org. Joe Stoppard. Web. 31 Mar. 2011. http://www.pbs.org/wnet/americanmasters/episodes/ernest-hemingway/reflections-on-ernest-hemingway/629/. Siminoff, David. From Whom the Bell Tolls. Shmoop. Web. 31 Mar. 2011.  http://www.shmoop.com/for-whom-the-bell-tolls/.

The Media and Mass Misinterpretation of Islam Essay -- Argumentative P

The Media and Mass Misinterpretation of Islam As the cross is the symbol of Christianity, the Star of David the symbol of Judaism, the Crescent Moon and Star are supposedly the symbols of Islam. Islam at its core is a peaceful religion, which like many other religions over the ages has at times been misunderstood not only as to the values it preaches, but also in relation to its core beliefs. Although in today’s post September 11th world Islam and its followers, who are also known as Muslims, tend to be associated with acts of terrorism, the Middle East and anti-American beliefs, Islam at its core is radically different than what most people perceive it to be. Being the fastest-growing religion in the world, Islam’s 1.2 billion practitioners reside throughout the hemispheres. Although generally linked with the Middle East, Muslims can be found residing throughout Asia, Europe, Africa, Australia and even in the Americas. The fact that Islam is such a profound religion in terms of size and influence can be very deceiving. For example, amongst Roman Catholics if there is a dispute regarding Catholic tradition, morals, symbols, or teachings, all of these issues could and often are addressed by the Vatican. However, within Islam there is no such thing as a central authoritative body which can resolve disputes, manage problems, etc. Thus when most non-Muslims see violence or acts of terror inflicted on a group of people by Muslims, who often boldly state that what they have done is in the name of their religion, no central body exists which one can go to in an effort to see if this religion really is one of violence or peace. Within Islam’s holy book or Quran, which is akin to our largely Christian-based culture’s Bible, ... ...s a radically different religion that what most people perceive it to be. Due to the fact that through today’s â€Å"media rich† world billions of people world-wide are exposed to the opinions of a daring few, the views we have regarding groups of people as well as individuals themselves can often be misconstrued. In the case of the Muslim religion, a lack of a central authoritative body within the religion itself, general historical misconceptions as well as those recent ones promoted by the media have led the majority of the non-Muslim world to a mass misinterpretation of Islam, its followers and their beliefs. Works Cited About.com. Crescent Moon: Symbol of Islam? http://islam.about.com/library/weekly/aa060401a.htm Discover Islam. http://www.discoverislam.com/ Stevenson, Seth. Islam? A Peaceful Religion. 24 Oct. 2001 http://slate.msn.com/?id=117525

Latin American Wars

Like in most other histories of wars, colonialism and control of the natural resources are the main reasons why Latin- American wars happened. Aside from colonialism, the struggle for physical power over the strategic River Plate (a large utuary between Argentina and Uruguay, Rio de Plata in Spanish) regions is also one of the main reasons. The ambitious leadership of Franciso Solano of Paraguay also lead to the Latin American wars. For this, Paraguay is always part of the history when we are talking about Latin American wars. Two historical events are best quoted when we are talking about Latin American War. These are the events that lead to the conflict in Latin American countries in mis- late 1800’s.War of the Triple Alliance or Paraguayan Wars ( 1864- 1870) According to most history books and to Wikipedia, this started when Argentina proclaimed its independence of Spain in 1810. Paraguay refused to be under Spain and declared its own independence. El Supremo, Gaspar Rodrig uez Francia started a political dynasty in the country of Paraguay. After his death, his kins (nephew and son to be specific)Carlos Antonio Lopez and Francisco Solano Lopez succeeded his regime, and followed his implementation of dictatorship over Paraguay. Carlos Antonio’s son, Francisco Solano, built an empire and the led the country into a war against an alliance of Argentina, Brazil, and Uruguay.This war ended with the devastation of Paraguay. Diseases and deaths occurred and manipulated almost the entire population of the said country. The following statistics presents the number of casualty in these Latin American countries: (http://en.wikipedia.org/wiki/War_of_the_Triple_Alliance ). Brazil had 28, 000-30,000 people killed in action, 30, 000 died due to other causes, others are even missing. In Argentina, 18, 000 killed in action and 12, 000 died of other causes, mainly of diseases and others are missing. In Paraguay, 120,000-160,000 got killed and died. But the conflic t is stopped through his death. The revival was started through the initiative of some Brazilian armies who stayed in the country after the war. It took Paraguay long years to recover from chaos and demographic imbalance War of the PacificThe Salpeter war, which is another term for War of the Pacific, as referred to its original cause started when Chile had a fight against the joint force of Bolivia and Peru. Accroding to the Wikipedia, the war between and among these countries arose when they had an argument over the control of the part of Atacama Desert that lies between the 23rd and 26th parallels on the Pacific coast. The territory has valuable mineral resources which were exploited by some companies in Chile and British interests.The Bolivian government took advantage of this situation and decided to add and increase taxes to these companies and interests and this led to misunderstanding and commercial dispute. This is the reason why is it called Salpeter War. Salpeter is potas sium nitrate, a chemical compound, a naturally occurring mineral source of nitrogen and a good source of black gun powder. It may sound funny but we always perceive that in a war, winners are determined by who are right, but who are left. However, as we analyze it as a whole, in any war histories, both parties always seem defeated with the lost they had after the war.

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